{"id":942,"date":"2010-09-13T13:54:00","date_gmt":"2010-09-13T10:54:00","guid":{"rendered":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/jornadas-de-conservacion-de-arte-contemporaneo\/"},"modified":"2010-09-13T13:54:00","modified_gmt":"2010-09-13T10:54:00","slug":"jornadas-de-conservacion-de-arte-contemporaneo","status":"publish","type":"post","link":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/jornadas-de-conservacion-de-arte-contemporaneo\/","title":{"rendered":"Jornadas de conservaci\u00f3n de Arte contempor\u00e1neo."},"content":{"rendered":"<blockquote style=\"margin-right: 0px;\" dir=\"ltr\">\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/postino.fundacionstart.org.ar\/img_mailing\/EFTsep2010.gif\" border=\"0\" width=\"432\" height=\"712\"><\/p>\n<p><span style=\"font-family: Arial; color: #3366ff; font-size: 12pt;\"><strong>&nbsp;<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; color: #339966; font-size: 12pt;\"><strong>PROGRAMA DE LAS JORNADAS<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 12pt;\"><strong>JUEVES 16<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">10 Acreditaciones<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><br \/>10.30 Apertura por <strong>Alejandrina D&rsquo;El&iacute;a<\/strong> (Espacio Fundaci&oacute;n Telef&oacute;nica) y <strong>Am&eacute;rico Castilla<\/strong> (Fundaci&oacute;n TyPA)<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">10.45 <strong>Am&eacute;rico Castilla<\/strong> (Fundaci&oacute;n TyPA). Presentaci&oacute;n. Aportes conceptuales al problema<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">11.15 <strong>Tom Learner<\/strong> (Getty Conservation Institute). El programa de investigaci&oacute;n en Arte Moderno y Contempor&aacute;neo del Getty Conservation Institute<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">12.30 Pausa<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">14.30 Mesa: El futuro y los l&iacute;mites del medio digital<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Fernando Boro<\/strong> (UBA-Conicet). La conservaci&oacute;n de obras en formatos digitales. Un caso particular de lo ef&iacute;mero.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Lino Garc&iacute;a Morales<\/strong> (Escuela Superior Polit&eacute;cnica de la Universidad Europea de Madrid). Una estrategia de Conservaci&oacute;n Evolutiva del Arte Digital.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Coordina: Diana Wechsler (Conicet-UNTREF-UBA)<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">15.30 Mesa: La conservaci&oacute;n de las colecciones de arte contempor&aacute;neo en Argentina<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Pino Monkes<\/strong> (Museo de Arte Moderno de Buenos Aires). De lo moderno a lo contempor&aacute;neo, el desplazamiento ontol&oacute;gico como condicionante del rol del conservador\/restaurador.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Gabriela Baldom&aacute;<\/strong> (IICRAM-Instituto de Investigaci&oacute;n, Conservaci&oacute;n y Restauraci&oacute;n del Arte Moderno y Contempor&aacute;neo) &iquest;Qu&eacute; se conserva en un museo de arte contempor&aacute;neo?<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">Coordina: <strong>Am&eacute;rico Castilla (Fundaci&oacute;n TyPA)<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">16.30 Pausa<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">17.00 <strong>Glenn Wharton<\/strong> (MoMA). El Manejo de la Informaci&oacute;n en la conservaci&oacute;n del arte basado en los medios digitales<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">18.15 Cierre<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 12pt;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 12pt;\"><strong>VIERNES 17<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">10.00 <strong>Carol Stringari<\/strong> (Museo Guggenheim, NY). La evoluci&oacute;n de los medios audiovisuales variables. Subjetividad y toma de decisiones<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><br \/>11.15 Mesa: La perdurabilidad de las obras al acecho. Los artistas tienen la palabra <\/span><strong><span style=\"font-family: Arial; font-size: 10pt;\">Leandro Katz, Luis Felipe No&eacute;<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\">Coordina: Viviana Usubiaga (UBA-Conicet)<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">12.05 Pausa<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">12: 20 Mesa: m&eacute;todos e incertidumbres.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Humberto Farias<\/strong> (Centro de Conservaci&oacute;n de Bienes Culturales-Universidad Pontificia Cat&oacute;lica de Sao Paulo). Una metodolog&iacute;a para la conservaci&oacute;n y restauraci&oacute;n del arte contempor&aacute;neo.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Lino Garc&iacute;a Morales<\/strong> (Escuela Superior Polit&eacute;cnica de la Universidad Europea de Madrid). Caso de estudio. Refectum#1.6 D&eacute;-collage de Wolf Vostell.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Julie Gilman<\/strong> (Universidad de Gante, B&eacute;lgica). La toma de decisiones en la conservaci&oacute;n de obras de arte ef&iacute;meras con alimentos: una investigaci&oacute;n interdisciplinaria<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Coordina: Violeta Bronstein (Fundaci&oacute;n TyPA)<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">14.10 Pausa<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">16 <strong>Jorge Garc&iacute;a G&oacute;mez Tejedor<\/strong> (Museo Nacional Centro de Arte Reina Sof&iacute;a) Estrategias aplicadas en el Museo Reina Sof&iacute;a para la conservaci&oacute;n y restauraci&oacute;n de obras tecnol&oacute;gicas y basadas en el tiempo<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">17.15 <strong>El Minuphone<\/strong>, un caso de estudio.<br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Marta Minuj&iacute;n, Alejandrina D&rsquo;El&iacute;a, Jorge Garc&iacute;a G&oacute;mez Tejedor, Marcelo Marzoni<\/strong><br \/><\/span><span style=\"font-family: Arial; font-size: 10pt;\"><strong>Coordina: Rodrigo Alonso (UBA)<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">18.15 Pausa<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">18.30 Mesa de conclusiones y propuestas para el futuro. <strong>Tom Learner, Glenn Wharton, Carol Stringari, Jorge Garc&iacute;a G&oacute;mez Tejedor, Pino Monkes, Gabriela Baldom&aacute;. Coordina: Am&eacute;rico Castilla<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt;\">19 Cierre<\/span><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; PROGRAMA DE LAS JORNADAS JUEVES 16 10 Acreditaciones10.30 Apertura por Alejandrina D&rsquo;El&iacute;a (Espacio Fundaci&oacute;n Telef&oacute;nica) y Am&eacute;rico Castilla (Fundaci&oacute;n TyPA) 10.45 Am&eacute;rico Castilla (Fundaci&oacute;n TyPA). Presentaci&oacute;n. Aportes conceptuales al problema 11.15 Tom Learner (Getty Conservation Institute). El programa de investigaci&oacute;n en Arte Moderno y Contempor&aacute;neo del Getty Conservation Institute 12.30 Pausa 14.30 Mesa: El &#8230; <a title=\"Jornadas de conservaci\u00f3n de Arte contempor\u00e1neo.\" class=\"read-more\" href=\"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/jornadas-de-conservacion-de-arte-contemporaneo\/\" aria-label=\"More on Jornadas de conservaci\u00f3n de Arte contempor\u00e1neo.\">[+]<\/a><\/p>\n","protected":false},"author":677,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/posts\/942"}],"collection":[{"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/users\/677"}],"replies":[{"embeddable":true,"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/comments?post=942"}],"version-history":[{"count":0,"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/posts\/942\/revisions"}],"wp:attachment":[{"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/media?parent=942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/categories?post=942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ifdctayc-lrj.infd.edu.ar\/sitio\/wp-json\/wp\/v2\/tags?post=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}